Before My Time is about the ancestry and extended family of my four grandparents: John Samuel Krentz (Indiana/North Dakota), Margreta Tjode Hedwig (Gertie) Buss (North Dakota), Rosmer Pettis Kerr (Pennsylvania/Michigan), and Evelyn Elvina Hauer (Michigan), and other topics in genealogy and family history.

Archives, Labels (tags), and other links appear at the bottom of the page.

Content at Before My Time is protected by copyright and may not be copied for publication elsewhere without permission. © T. K. Sand.

To follow by email, scroll to the bottom of the page.

Friday, June 20, 2014

Review: Blurb's New BookWright Software

In the interest of preserving my family history on real paper instead of letting it disappear into the virtual void, I've been making print-on-demand books for about four years. I use Blurb as my p-o-d company and the free BookSmart software they provide to create my books. I found the software easy to learn, and with it I've been able to do everything I've imagined. There's a glitch here and a quirk there, but I've learned to work around them, so I'm happy with BookSmart.

I've completed 21 book projects and had them printed. On three occasions, I had to contact Customer Support due to problems with the products I received, and my problems were satisfactorily addressed very quickly, so I'm happy with Customer Support and the finished products I receive.

My only complaint is that there is no option for any kind of sewn or stapled binding, as I lack confidence in glued bindings for the long term. In the earlier years, keeping the book under 120 pages might result in a side-sewn binding, but Blurb did not allow the customer the option of choosing that, even at an extra cost. It was a matter of luck depending, I imagine, upon which of their printing jobbers filled the order. If it's still done by any of their printers, you couldn't prove it by me, I'm sad to say.

Nevertheless, Blurb is still my p-o-d company of choice, and I currently have projects 22 through 38 in various stages of completion, four of which will be ready to upload within the next few days.

I interrupted work on them recently when I received the news that Blurb has created new bookmaking software called BookWright, and a new option with BookWright allows creation of an 8.5 x 11" magazine. I was curious about both the software and the quality of the magazine product, so I created a 40-page magazine to give it a test run. My thoughts on both the software and the end product follow.

BookWright software
  • Cropping and zooming images is easier in BookWright than in BookSmart.
  • When you're creating your own layout, the software lets you know when the edges of text or image containers are aligned with each other, helping you to create a tidy layout.
  • In BookWright, text entry is done in a box at the bottom of the window, not right on the page layout as it is in BookSmart. For me this is not instinctive and I see no advantage at all. None!
  • When you click to Preview your pages, a separate window opens, but it's not full-screen and cannot be enlarged. As a result, the preview you see is smaller than your printed product will be. In contrast, the Preview in BookSmart can be enlarged to whatever size your monitor can accomodate. My monitor is large enough that I can enlarge a BookSmart preview to the approximate size that the actual printed page will be, which allows me to judge whether the printed size of my text will be easily readable or uncomfortably large or small, and to have a better sense of how the finished page will impact the viewer's eye. 
Print Magazine product (see Update at the end of this post)
  • The magazine covers are made with 65-lb. cover stock. It's nicely heavy with a finish that reflects a soft glow. It takes the ink well and I was satisfied with the printed result of the covers.
  • The magazine is perfect-bound (i.e. glued binding) which gives it a nice professional appearance for a magazine. The pages seem to be well-secured.
  • The pages are said to be 60-lb. paper. Apparently I have no idea what that means, because I was thinking along the lines of a sturdy paper such as a classy art magazine might be printed upon. In reality the pages were more like what you'd find in a women's magazine at the supermarket. The paper feels thin and flimsy. It's glossy, and in the reflected glare you can see that the paper is slightly ripply, perhaps from the wetness of the ink, or maybe that's just the nature of this type of paper.
  • I'm dissatisfied with the way this paper took the ink. Color accuracy was disappointing and many pictures printed much darker than they would have on Blurb's standard book paper. I've attempted to create a fair comparison in the sample below. Please read the explanations of each numbered sample to understand exactly what I've done to show this.

Sample 1: This is the original .jpg image file I used for the bottom half of a magazine page.

Sample 2: I used my iPhone to take a picture of the page as it appears in the printed magazine, using a combination of a lamp and daylight from a window. This photo is a reasonable representation of the darkness of the printed image, but the color in this snapshot is not quite what I see on the page.

Sample 3: I scanned the printed page at 300 dpi and downsized the resulting image to fit in this display. This was also not an accurate representation of what I see when I look at the real page. I won't try to explain why the scan looks much lighter than the actual page. It doesn't matter. What I'm trying to do is show you what the printed page looks like, so let's look at Sample 4.

Sample 4: Using PaintShop Pro, I adjusted the brightness and contrast of the scan in Sample 3 until it looks, to the best of my ability, like the image I see on the printed page. On the printed page, the color is off, and much of the facial expression that's visible in the original photo is lost in darkness. To be fair, I will say that this was the worst example from the magazine.

My Comments

I ordered four copies of my 40-page magazine. The cost of printing ($7.99 each) plus the shipping charge totalled $42.92, which means I spent $10.73 per copy. I don't suppose this is an outrageous price for a print-on-demand magazine. But in the end, it's still a magazine, an entity that's really made to be disposable, so you shouldn't expect it to have the longevity or quality of a book.

The magazine can also be ordered as an e-zine. I didn't explore that feature, but if you're interested in creating e-zines, you can do so with BookWright.

BookWright software will probably please some people, but I have a strong preference for BookSmart. I contacted Blurb to see whether there are any plans afoot to discontinue support for BookSmart and I'm happy to say I was assured that there are no such plans, and BookSmart will continue as before.

UPDATE: Blurb has now introduced a Premium quality magazine in addition to what I reviewed above, which is now known as the Economy version. See Introducing Blurb Premium Magazine for more information.


Cheryl said...

Very interesting post and I will say that it was a pleasure to actually see a new post in my blog feeder today after months of no action from any of those that I follow.

For those reading this I will say that I have had the privilege of seeing many of TK's books in the flesh and they are astounding. She is one talented girl.

TK said...

Well, there's a comment I feel compelled to approve! ;-)

LTB1240 said...

I am just learning Bookwright and I agree that the text box at the bottom of the page is very frustrating to work with. You are correct on so many points. I wonder why Blurb hasn't tried to improve their product with your suggestions? Don't any of their software writers actually use the product?

TK said...

Thanks for stopping by, LTB1240, and for the supportive comment. It's frustrating that Blurb seems to ignore users' comments--or mine, at least--but they seem to be enjoying a satisfying enough volume of business that they don't have to worry too much about obscure demands like sewn bindings. Most customers probably don't know the difference or care, and I'm sure Blurb is trying to maintain competitive prices and offer the options that are important to the largest number of users.

wrigleyfield said...

Thanks so much for a very informative review. I'm making a one-off photography book as a Christmas gift and am considering using Blurb, and I would absolutely pay extra for sewn binding! It's a shame they don't offer that for those of us making keepsakes.

TK said...

Thanks for your comment, wrigleyfield. I'm glad to know I'm not the only one who would appreciate having sewn bindings as an option. I keep hoping that'll happen. Good luck with your photo book project.

Ricki E said...

Hi there. I would like to know if you're still using Blurb. I ordered 5 books from them June 2016. I ordered regular paper with photo cover-about 68 pages. 5 out 4 had spine issues. Great costumer service. They sent 4 more. 2 out of 4 where not right. The issue was- you open the book to the third page and the seam was exposed. The same was in the back to. Please let me know if you're still getting quality books. I love the books I got just not happy with the binding. Thanks

TK said...

Yes, I am still using Blurb. I've completed about 25 books and have about that many more in progress. On occasion I have also had the problem of the seam being exposed, as you mentioned, either at the front or the back of the book. It's unsightly and doesn't bode well for the future integrity of the book!

I still wish Blurb would offer sewn bindings as an option, as glue will doubtless dry out and become brittle at some point. I recently purchased a book published in 1985 by William Morrow & Co., and although the book appeared to have a sewn binding at first glance, in the course of reading it I discovered that the binding was actually glued, and it has cracked in two places since I got it! In contrast, a book I purchased which was published in 1868 is holding together quite well with its sewn binding.

It seems to me that, for those of us who go to the trouble and expense of making hard-copy books, longevity and the ability to get repeated use from the book is an issue for us and durability should be a priority for the manufacturer. While Blurb may be using glue which meets industry standards, does that matter to me if the binding falls apart anyway? NO!

Ricki E said...

Just curious, what do you stay with Blurb then? I do very much like the idea of sewn binding. Over years I can see the glue looking yellow and seperating.
Before I have always used Shutterfly. I would have made my last book with them if I wasn't having trouble with their website. They're always changing things & plus I had changed my OS to windows 10 & I don't like their new Edge Web browser...always a learning curve. Sigh. I'm self taught & do pretty good with some things but it's slow. Anyways, I love the creativeness I had with Shutterfly. I'm currently looking to try Projectlife on their app only. It's pretty cool & here soon I hope, they'll be making their own bond photobooks from the app. I'll have to look into how they'll do their binding. The option right now is to print 8x8 or 12x12 pages and slip into protective pages & put into a binder. I may try that for now but I really want them bond in a book. Thank you for info on your blog. It's very helpful.

TK said...

I like Blurb's BookSmart software. I found it easy to learn and very flexible so I can do pretty much whatever I want on my pages. It has a quirk or two, but at this point I know how to keep things under control.

Early on, I also tried My Publisher, but had a couple issues with my first order through them--(1) a page from someone else's book was bound into mine!, (2) the translucent page at the front of the book came with a wrinkle in it, and (3) the jacket was about an eighth of an inch too tall for the book, which surely means it will end up torn later.

At that point in time, Blurb was still making some books with side-sewn bindings. They had to be no more than 120 pages, and then there was the random possibility that they might be side-sewn, but it was not a selectable option, which I would have liked and would have been willing to pay a few bucks extra for. Told them so, but apparently it fell on deaf ears. So, when that was a possibility, I kept my books under 120 pages. At some point, it seems the possibility disappeared altogether, sad to say.

On the plus side, as you mentioned, Blurb has great customer service, so any print issues I've had were quickly addressed to my satisfaction.

And of course, at this point I have so many books started in BookSmart, it would be a huge project to redo them in some other software.

Also, I hate learning new stuff too! And since you brought up that Edge thing, ICK! I didn't waste more than a minute on that, then right back to Firefox, and I also have three other browsers on my computer which I use sometimes, since I tend to keep way too many tabs open in Firefox. The other three I use are Chrome, Opera, and Vivaldi. I see no reason to use Edge.

Thanks for your comments, Ricki!

Erica Leep said...

Just wanted to say thank you for sharing this information on BookSmart vs. BookWright. I am a huge BookSmart fan, and while some of the features in BookWright, your review highlighted functionality that I use regularly in BookSmart and would miss dearly!

TK said...

Thanks for your comment, Erica. I'm glad to know that people are still finding this review useful.

KeithT said...

I have been using Blurb in the U.K. For a good number of years and stoped having them print books because their black and white photo prints jus did not come up to the standards I look for. Possibly because their printers still use CMYK. Anyway, I returned to Blurb August 2016 because I have embarked on several e-book projects, one which is ready to go and will hopefully get a place in the Apple iBooks library.

Having used Book Wight for these projects I have to say that the learning curve isn't that hard to take on board. Much of the text was written in MS Word and copy and pasted into the layout programme. Book Wright isn't a writing programme and shouldn't be used as such in my opinion. As for images, I shoot RAW and prepare my book images in either Photoshop or Capture 1 Pro or even both. I make sure my resolution is suitable for a 12x10 print size and use the zoom facility in Book Wright to adjust the size I want.

If I want printed books I will source them from other suppliers that have better sizing and binding options. Blurb is only one of many providers, so why not use them all to get the final result you are looking for? No one forces anyone to use just one supplier surely.

TK said...

Thanks for your comment, KeithT. For myself, I continue to use Blurb because, at any given time, I have about 25 book projects in progress using BookSmart software, which is proprietary. It's what I've learned to use, and it suits my work style very well. My MS Word skills are all but nonexistent! Also, I'm not fond of using Blurb's ability to flow text to additional pages as needed. I prefer to use my own page layouts and enter or paste the text exactly where I want it.

My most recent Blurb order was early this month, a hardcover book with jacket, about 180 pages. I have no issues with the printing or binding--it was printed, cut, and bound perfectly, as was a 440-page hardcover image-wrap book I made earlier this year.

While pictures are important in my books, I am not a photographer and am not as fussy about the printing as would be someone whose priority is the photographs. I admit I have never tried the premium photo papers offered by Blurb. But having said that, I will also say that the photos in my books look fine to me, clear and bright and the right color! I do adjust all of my images in PaintShop Pro before adding them to the book.

I really enjoyed reading about your work process, KeithT, and I think that kind of discussion adds value to this thread. Again, thanks!

Blog Archive


Our Family in Books: A Bibliography

  • My Ancestors in Books (a library of resources and notes pertaining to Reverend Samuel Stone, Major General Robert Sedgwick, Elder John Crandall, and other early Americans in the forest where my family tree was grown)
  • The Zahnisers: A History of the Family in America by Kate M. Zahniser and Charles Reed Zahniser (Mercer, Pa. 1906)
  • History of St. James Lutheran Church [full title: A little of this and a little of that in the 141 year (1861-2002) History of St. James Lutheran Church, Reynolds Indiana] by Harold B. Dodge, published at Reynolds, Indiana, 2002; 170 pages.
  • Lisbon, North Dakota 1880-2005 Quasuicentennial, published at Lisbon, North Dakota in 2005; 391 pages.
  • The Paschen and Redd Families of Cass County, Indiana by Alfred Paschen, c. 2005 (Gateway Press, Inc., Baltimore, MD); 322 pages.
  • Sheldon Community History: Sheldon Centennial 1881-1981, published at Sheldon, North Dakota in 1981; 376 pages.
  • Sheldon, North Dakota 1881-2006 - 125th Anniversary: The Queen of the Prairie, published at Sheldon, North Dakota in 2006; 498 pages.
  • A Standard History of White County, Indiana, written under the supervision of W.H. Hamelle, c. 1915 (The Lewis Publishing Company, Chicago and New York).
  • The Roots of Coventry, Connecticut by Betty Brook Messier and Janet Sutherland Aronson, c. 1987 (Coventry 275th Anniversary Committee, Coventry, CT); 206 pages.
  • "Elder John Crandall of Rhode Island and His Descendants" by John Cortland Crandall; New Woodstock, New York, 1949; 797 pages.
  • "The Descendants of Robert Burdick of Rhode Island." Nellie (Willard) Johnson, Pd.B.: H & L Creations, LLC.

Followers, Friends, Family, and Fellow GeneaBloggers:

Follow by Email

Where are you?